Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.
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An American man returns to a corrupt, Japanese-occupied Shanghai four months before Pearl Harbor and discovers his friend has been killed. While he unravels the mysteries of the death, he falls in love and discovers a much larger secret that his own government is hiding.
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?
Construction worker Douglas Quaid discovers a memory chip in his brain during a virtual-reality trip. He also finds that his past has been invented to conceal a plot of planetary domination. Soon, he’s off to Mars to find out who he is and who planted the chip.
When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn’t easy to find a producer who’s willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won’t take no for an answer, launching a search for someone to take them to Broadway.
Battling insomnia and undiagnosed PTSD, a war veteran works nights as a projectionist at a decrepit theater. While struggling to adapt to civilian life, he soon finds himself tangled in an inescapable web of seduction, addiction, and violence.
Al, a young man from a modest background is about to marry his boss’ daughter, along with succeeding him as the head of a car dealership. One night, while coming back from his bachelor party, he is guilty of a hit-and-run accident, urged by his two childhood friends present in the car. The next day, gnawed with guilt, Al decides to inquire about his victim. What he does not know is that Juliette, a young woman, has witnessed the entire accident from her balcony.
When Air Force One is shot down by terrorists leaving the President of the United States stranded in the wilderness, there is only one person around who can save him – a 13-year old boy called Oskari. In the forest on a hunting mission to prove his maturity to his kinsfolk, Oskari had been planning to track down a deer, but instead discovers the most powerful man on the planet in an escape pod. With the terrorists closing in to capture their own “Big Game” prize, the unlikely duo must team up to escape their hunters. As anxious Pentagon officials observe the action via satellite feed, it is up to the President and his new side-kick to prove themselves and survive the most extraordinary 24 hours of their lives.