The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.
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Pete Bell, a college basketball coach is under a lot of pressure. His team aren’t winning and he cannot attract new players. The stars of the future are secretly being paid by boosters. This practice is forbidden in the college game, but Pete is desperate and has pressures from all around.
After a failed swindle, two con-men end up with a map to El Dorado, the fabled “city of gold,” and an unintended trip to the New World. Much to their surprise, the map does lead the pair to the mythical city, where the startled inhabitants promptly begin to worship them as gods. The only question is, do they take the worshipful natives for all they’re worth, or is there a bit more to El Dorado than riches?
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show’s 2010 original production at the Queen’s Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play’s musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical’s heyday.
A tight-knit group of New York City street dancers, including Luke and Natalie, team up with NYU freshman Moose, and find themselves pitted against the world’s best hip hop dancers in a high-stakes showdown that will change their lives forever.
New York in the 1920s. Max Perkins, literary editor at Scribner’s Sons is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer named Thomas Wolfe falls into his hands, Perkins is convinced he has discovered a literary genius. Together the two men set out to work on a version for publication and a seemingly endless struggle over every single phrase ensues. During this process, Perkins the gentle family man and Wolfe the eccentric author become close – a relationship eyed with suspicion by their wives. When ‘Look Homeward, Angel’ becomes a resounding success, the writer grows increasingly paranoid.
A reclusive, God-fearing 91-year-old man and a young Cuban refugee home-aid worker struggle to come to terms with their regrets, the unbearable pain of unacceptable loss, love and the most difficult and beautiful of human truths: life ends and life goes on.